how does poetry put into words and translation experience
A translation is a friendship between poets. It's Coleman's turn — here's how the bilingual poet translates a work by Catherine Hulshof: "I am the wind pushing you. The Chinese call the method of the great Tang poets of working imaginatively while being bound by strictures "dancing in chains.". What has never been done in the adopted language will expand its thematic and formal boundaries and its literature. The translated poem should be read as a poem written in the language of the adopted literature, even if it differs because of its origin from any poem ever written in its new tongue. Fidelity to the letter, preceding the word, makes an even better, higher form of faith. Nor does knowledge of the language of the original text qualify a translator any more than good knowledge of English makes every English speaker Milton. Whether wonderful or monstrous, the version is always a version, another working and retelling. Normally, as with music, the translating artist reads and interprets but does not fully invent the score. If you arrive where it is neither day nor night you'll be turned into stone while you are waiting. I’m of the opinion that translation doesn’t end with the writer. To choose the unknown path risks loss—and often brings gain. For example, "tallest building". Octavio Paz goes so far as to declare, "Every text is unique and, at the same time, is a translation of another text.". Yet translation of poetry is conceivable. Such practice puts a poet on the hot seat. In la nada the Spanish poet-saint found God. A translator poet must be a translator. Although it is best when one poet can chat with the other poet, the ability to chat in the foreign tongue does not create a poet. To paraphrase Robert Frost — not really. Practice makes perfect, and exploring not only the practical aspect of a type of translation but also its theory is a good way to deliver a translation of quality. “Poetry must be translated by a poet” Eghishe Charents POETRY TRANSLATION: Poetry translation may be defined as relaying poetry into another language. The secular poem marks only the last in a string of Buddhist rebirths and transformations. Don't eat a prickly pear for a peach and make unfriendly faces. But the port must have a name, a true name. When different, it need not be humble and inferior. And be fair to the gardener who keeps them up. There are also some excellent dictionaries and phrase books. In the art of literature and scholarship, the Platonic good lies in tradition, a code word for theft. Some translation professionals will choose to mimic the sound of a poem instead of the literal meaning, and others will transform the poem into a prose-version, capturing what they think is important about the original. It remains merely a bright mirror of an ancient glory. The orphan is Don Quijote de la Mancha in Chicago. Keep tweeting us your verses using the hashtag #NPRpoetry. The translator may face the linguistic, literary and aesthetic, and socio-cultural problems in translating it. One of the stumbling blocks when trying to study poetry is that it seems like a different world. 6 Cristopher Johnson suggests that Borges’s approach to literary translation … Why not show preferences, to use Jorge Luis Borges' favorite word for choice, judgment, discrimination, and taste? Basically, poetry translation should be semantic translation for a poem is typically rich with aesthetic and expressive values. The poet translator should at the very least compete with the Creator. Foremost among fidelities is fidelity to beauty in the original poem. Though the art form, in translation, is subject to lose its accuracy, integrity and beauty, Coleman argues that the process invites new opportunities to parse, and thus meditate on, any lingual and cultural disparities. It is good to drink Turkish coffee in the pampas of the American Midwest. 5 Praising Gérard de Nerval’s translation of Faust into French, the German writer, for instance, exclaims: “I do not like to […] read my Faust any more in German; but in this French translation all seems again fresh, new, and spirited” (341). "Maybe it can open up a new way for us to see what can happen in English and what can happen in Spanish, for me, or whatever the original language is.". We're still accepting submissions to Twitter with hashtag #NPRPoetry. Throughout her many collections of poetry, in her prose memoir Object Lessons (1995), and in her work as a noted anthologist and teacher, Boland honed an appreciation for the ordinary in life. Original work is never independent, nor even wholly original. Before God created the earth and heaven, he created the book. He breaks down his method: "I loved that little opening metaphor of calling herself the wind. They started long ago, or rather, like time have no beginning. A translator spends a life asking y, but the I (even puffed up as the one Creator Eye) knows it's for u. A vocabulary list featuring Some Helpful Poetry Terms. A translation aspires to the kabbalah, wherein the universe is a system of permanent though fiery words; yet it wakes down on earth in the knowledge of its instability and impermanence. Kabbalists like meaningful letters. It makes the unknown known. Poetry in Translation, a unit created by Queens teacher Carol McCarthy, draws on the unique abilities of her multicultural classroom. Horace and Jerome removed themselves from the literalism of the letter and condemned even the word in order to champion phrase and sense. Once across the border, in new garb, the orphan remembers or conceals the old town, and appears new-born and different. A translation dwells in imperfection, using equivalents and shunning mechanical replicas—which is the dream of literalists who believe in truth. And #NPRpoetry español: Soy el viento empujandote. In performance particularly, a poem’s meaning can fluctuate and change dependent on intonation, on the sympathies of the audience, on the mood of the speaker, the sounds of the surrounding words, the accent of the speaker, etc. In their old drawings we see a tree of life whose leaves are letters and a man whose body is covered at vital spots by the ten letters of the sefirot. Good translation of poetry is essential to a hungry reader in a decent book store and to a global village of letters. Give the art a name like paraphrase, imitation, or verse transfer, and the translation police will not arrest you. Linguistic constraints often make this a stimulating task. Courtesy of Aaron Coleman You must do the footwork. So all literature is translation and all translation is unique and therefore original. Fray Luis de León wrote that translated poems should not appear foreign but as "nacidas en él y naturales" (as if born and natural in the language). With these reservations here are some general observations on the practice of the art of translating poetry. "I think we all want to have translation work as a process of reproduction, but it's really a process of transformation," Coleman says. A good translation is a good joke. A translator's reward for a mistake must be capital punishment. When discussing the poet as translator, from time immemorial it has been the custom to start out by quoting Dryden. It cannot return. The ocean offers all things, including these mixed metaphors about the translation of poems. Translation is the art of revelation. In the act of rendering poetry from nothing into something, the translator is first a poet, even if outside the recreation he never writes poetry. Poetry is part of every country’s cultural heritage and should therefore be cultivated like a precious seed. As in ordinary religious mysticism, the problem of ineffability exists: how do you find words to say the unsayable? In its worst, barely clothed nudity, it cloaks its exposure with the scarlet T of translation. Whatever the choice, it isn’t the same poem. Why not the ghost of the "disappeared" Osip Mandelstam, reading his alchemic lyrics about Stalin's mustache or his EXILE poems from the snows and ice graves of Voronezh? The informant is a dictionary, not a poet, useful as a dictionary but risky as a poet. But not freedom to make errors. The language lapses that inhibit an ideal interpretation can ultimately be "a creative, productive failure," he adds. It is absolutely free, all you have to do is provide a few details about your poetry translation … Don't worry that modernity will rub out the past. They said: Don't go to the end of the Earth because your lengthening shadow will frighten you. In Your Own Words. They "descended from the terrible and august crown of God whereon they were engraved with a pen of flaming fire.". And when translating poetry, explore the text first, what emotions it carries and which formal means are used to do so, and remember there is no perfect interpretation. A translation is an x-ray, not a xerox. And then there is syntax, the principles by which words are arranged in sentences, which differs considerably from language to language. The translator begins with the advantage of selecting the poem that lends itself to her translation. But as Octavio Paz has written, good poets are not necessarily good poet translators. Historically, the transformed words have no beginning, do not seek an original author, an original tongue, or first words. The poetic experience has moral and social value; most poets know this, and many have attempted to explain, or justify, the social importance of poetry. Or under another name it gives us itself. Why not shake up English poetry with the sudden arrogant figure of Vladimir Mayakovsky, standing tall in his coalminer's cap, shouting his syllables out to the sky from the Brooklyn Bridge? By: Natasha Sutton Williams Thursday 19th January 2017 Clare Pollard is a poet translator, journalist, teacher and poet in her own right.Her first collection of poems The Heavy-Petting Zoo was published by Bloodaxe Books when she was still at secondary school. 2 If that were the case, what would it mean? Eavan Boland was born in Dublin, Ireland. ", Then, the trickiness of translation comes out to play. The translator plays with nothingness, with la nada, and from nothing comes everything. Yet any way—the way of Kabbalah's letter, God's word, or Jerome's phrase and sense—works if the created poem is beautiful. Translation is a movement from darkness into light and back to darkness. If you wish to do that, devise an appropriate speech, forget the epithet writer, good luck, and count on nothing. Even for the Kabbalists the infinite of God's creation of Adam's vision is only a flash of light. ABSTRACT. The translator poet is a blatant robber but should not kill the other author or steal her very name from her. Reader, you are fooled. It gives us the other. 7. The port too will suggest in its name the conditions of the sea by which the ship reaches its destination. It gives us the other. Only a punk sees freedom and error as synonyms. He uses a contemporary language but not so fearfully as to eliminate its contemporary scope and living history. The skill of a translator poet is tested by strictures. Because the dream of capturing and stilling words must really be seen as an allegory for death, a bad joke, it is better to accept movement—translation—and live with peppy Proteus and Heraclitus, the two Greek jokers. Direct access to the original: probably the most common form of translation of poetry is metatextual, and consists in a critical apparatus prepared for a poem – in the same language of the poem or in another language – allowing people not particularly proficient in that language to access an interpretation of the text through a clarification of the semantic values of the original. And because there are no perfect word equivalents between languages, or even within the same language (as Borges proves in his story of the mad Menard), perfection in translation is inconceivable. One of the more common methods is called literal translation. Songs between window blinds and white cement.". Rhyme is naturally pleasing to the ears and lends a sense of wholesomeness to words that are strung together. “How she can make a translation for me is always magic,” he said. I shan’t, but I will try to illustrate Dryden’s main thesis — that the translation of poetry into poetry is an act of sympathy — the identification of another person with oneself, the transference of his utterance to one’s own utterance. Instability—eternal transformation—may be uncomfortable, but it is best to live with it. Old writers will not lose the centuries of their age when heard in modern diction. Combine searches Yes. He has good reason to be inimical to archaisms. 5. Freedom to invent, to stray from the text, even to scratch out words and passages succeeds in a defined method, such as imitation, which Chaucer and Shakespeare boldly practiced. Create a Literal Translation Read the entire poem once or twice to get a broad understanding of the storyline, characters and setting. Translation is voyage and the poet takes a translation across the ocean. In Spanish, "tiempo" means both "time" and "weather." A translation is never an exact copy. For example, camera $50..$100. Lexical shock renews weary language bones. We've been devouring your miniature poems in honor of National Poetry Month. It takes time, experience and mental effort to produce a good translation of a poem. Over the course of her long career, Eavan Boland emerged as one of the foremost female voices in Irish literature. The translator artist has the fever and craft to recognize, re-create, and reveal the work of the other artist. Since a vision cannot be replicated, you seek equivalents for the other. If not, a third person, a friendly and responsible human dictionary, can be an intermediary. It is different. Yet if you must kill and rob, if you must transform the past and correct and embellish it for your time, confess and praise your benefactor. The unlikely and impossible to translate are rich. Finally, Barbara Valentina, manages, in English, to touch on this very theme in under 140 characters: #NPRpoetry he asks me about my ancestors/ I tell him/ I cannot explain what in my mother tongue means/ I am a ghost holding up the earth, She addresses the caveats of translation "in the fact that she can't tell him what her name means," he says. Strategies used in the translation of allusions in Ray Bradbury's Fahrenheit 451 Research Question: Thesis Statement: The translation of Allusive expression should take into account the cultural barrier between the source culture and the target text when translating from English to Arabic. A close rendition requires the greatest imagination and holds the greatest danger, for in staying close the poet may easily be seduced by the facile surface of literality. Robbery can be an admirable crime. hide caption. Basically, poetry translation should be semantic translation for a poem is typically rich with aesthetic and expressive values. A good translation is that in which the text in the target language accurately expresses the meaning, sense and intention of the writer of the source text in such a way that it sounds natural to the reader. We've been devouring your miniature poems in honor of National Poetry Month. We want to create a space where listeners can share their poems and read the work of others. Choice is also a venture against loss. Outrage in art is desirable, and a bit of felonious deception and license are also healthy. Even the first three lines of the brief, nine-line poem illustrate that translation is far more complex an art than a simple mathematical process of replacing each word in Creole with its counterpart in English; the trot provided, while fascinating, is clearly lacking as a poem in English. Gwerful Curses a Man for Beating a Woman. Poetry - Poetry - Poetry and prose: People’s reason for wanting a definition is to take care of the borderline case, and this is what a definition, as if by definition, will not do. Instead, translation can be transformation. myillo/Getty Images In rags, hand-me-downs, or dramatic black capes of glory, it is surprise, morning, a distinctive stranger. A translation dwells in exile. For a translator, to be "honest" means that if he steals the original for his poem, as Chaucer did, or invents or omits passages from it, as the two Roberts, Lowell and Bly, have frequently done, he will declare the theft or omission openly, as the Roberts do. In other words, the meaning the reader extracts from a poem can never be a replica of the writer's intent. Keywords : English poetry, Arabic poetry, translation, Robert Frost, strategies. The true counterfeit (an unattributed imitation or re-creation), which is other in sound and devices, may be invisible, go unrecognized, in order to pass on its own in the new mother language. Keep tweeting us your verses using the hashtag #NPRpoetry. With lingo like "muktuk" and "tuttu," it's fair to say that some of her words — in the Inupiaq language of her native Alaska — ring unfamiliar to many: #NPRpoetryDreams of Dried salmonHerring eggsBlack muktukFresh tuttuWild akpiqs3000 miles awayJust an Iñupiaq in the city. Canciones entre cortinas y el cemento blanco. Remember, this is not a contest — it's a community project — the point is not to win or lose or even to get your poem on the air. Coleman says, "We don't have that opportunity for metaphor in English, so I did 'days' instead of 'time' in order to get at weather and also the passage of time.". Poetry's features can be sound-based, syntactic or structural or pragmatic in nature. So a paradox. Examples Of Allusion In Fahrenheit 451 964 Words | 4 Pages. With the informant scholar, the poet translates the poem. You can use these computer programs and dictionary translations as a guide. Poetry's features can be sound-based, syntactic or structural or pragmatic in nature. Critical for the poem is when it changes tongues, that moment of translation truth when fire and knowledge come alive to commingle and create. But first, some background for our newcomers: Every week during National Poetry Month (April, as it's oft referred to), All Things Considered is asking a professional poet to read from some of your mini poems that caught their eye on the #NPRpoetry Twitter feed. The translator is the Chinese ceramist who re-creates the spirit and produces the vessel in which that spirit lives. In that instant the poem becomes everything or nothing. Brigley the poet ’ s words, `` are likely to be inimical to archaisms august crown God... 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