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Going by that standard, The Irishman is nothing we haven’t seen from him before. Joe Pesci and Robert De Niro in The Irishman | Netflix. Despite the impressiveness of its artistic accomplishments, it's not the greatest film of the year, nor is it Scorsese's best. Robert De Niro as Frank "The Irishman" Sheeran. If you are entertained by the movie done better a hundred times over, this movie is for you. only netflix could do such a trash job at making movies. I wanted love this, but honestly it was hard to watch Deniro & Pesci personally act out the stories from their past and try to pull off looking,sounding and moving somewhat youthful. This was before someone had the bright idea that you could just make lifelike models of the servants and not have to bury people alive. So let’s go with the idea of Leo-led flashbacks, for posterity. Because of this statement, I wanted to see it and I thought that would be a good experience but it's so boring that I couldn't finish it. Absolutely awful. Posted on Friday, November 29th, 2019 by Joshua Meyer, (Welcome to The Unpopular Opinion, a series where a writer goes to the defense of a much-maligned film or sets their sights on a movie seemingly beloved by all. It’s as if the production itself forms a metatextual recrimination of itself, bolstering Scorsese’s lesson on human frailty and mortality with the lesson that you really can’t turn back the clock, even with the most advanced filmmaking techniques. But the acting was uninspired, particularly from Pesci and Pacino who always seemed to be. Pesci is good, Pacino okay, DeNiro fair. Absolutely awful. Tried to watch a full hour and yawned more times than i did in a whole year. This film is a perfect example of what happens when the greats work past their prime. The Irishman, the highly anticipated film from Martin Scorsese which reunites actors Joe Pesci. One thing that's common among all Scorsese movies is the dialogue. It has way too much back and forth about getting Jimmy Hoffa to behave or he would get killed, and if you've seen Blow with Johnny Depp, then you've seen the ending to this film. It goes without saying that his cinematic legacy is secure. © 2021 METACRITIC, A RED VENTURES COMPANY. Spanning decades, the film chronicles one of the greatest unsolved mysteries in American history, the disappearance of legendary union boss Jimmy … Since most people outside Asia haven’t seen it and the novelty factor’s still there, imagine how brain-melting it would have been to see DiCaprio join the cast of The Irishman, in addition to all these other legendary performers. Totally boring and way too long. The compartments in this box of bitter pills are full, lined up in a row for the viewer to swallow like Sheeran’s daily doses of medicine. This movie is unbelievably long and dull. I was fine with them being old, as in. DeNiro in blue contacts looks fake. Overrated and boring Movie. This film was so bad, This movie was so absolutely boring I didn’t even wait to get to the end. DeNiro is terrible. With Robert De Niro, Al Pacino, Joe Pesci, Harvey Keitel. Once great actors walk through their parts in a meandering tale with occasional gore and violence. As a military veteran, I was disgraced by his behavior and Scorsese shouldn't make another movie and Deniro should play roles to his left heeding political space allow him to. A Who's Who of old Mafia actors; DeNiro an adenoidal caracature of himself.. repeating his lines, repeating his lines.. The Irishman made me long for the days when he would just put actors in front of the camera and not muck with their faces on the computer. Bad camera work. What began as a kidnap/ransom business eventually turned into running security for bootlegging on behalf of the Lansky-Purple Gang-Bronfman empire. Al Pacino as James Riddle "Jimmy" Hoffa. The Irishman uses this very mortal limitation to its artistic advantage. To that, I would counter that “the play’s the thing” wherein Scorsese’s own conscience, or the universe itself, perhaps, has caught him as a filmmaker. It has no social importance or, more seriously, redemption. The Irishman is another outstanding cinematic accomplishment from Scorsese, featuring a talented cast and crew firing on all cylinders. A movie that is 210 minutes long, with actors WELL past their prime. A huge (and lengthy) swing and a miss from Scorsese, De Niro, and Netflix. I love football, but I don't want to see a 63 year old Joe Montana take the field. It has no social importance or, more seriously, redemption. I shut it off. There were several scenes involving dialogue between two characters in which they argued about minor inconsequential details, repeating those details back to one another through numerous camera changes, and the viewer is left wondering, "Did I just sit through 30 seconds of another meaningless conversation about whether the mob ‘really means it this time'"? A Who's Who of old Mafia actors; DeNiro an adenoidal caracature of himself.. repeating his lines, repeating his lines.. The acting was pretty good in parts, but the story was incredibly boring and the characters were completely unlikable. Basically we have an 80 years old male director, who casted 80 years old. Although performances were good I couldn't find the characters that convincing, This is the worst film of 2019. Mark Kermode reviews The Irishman. /Film Blogging the Reel World My review: The Irishman is part of a dead genre that no one cares about anymore. Nothing new here. Basically we have an 80 years old male director, who casted 80 years old male actors, making a movie that tries to look like the movies that they made - brilliantly - decades ago at the peak of their energy and performances. Scorsese retourne à ses amours, à savoir la grande saga mafieuse dont il a le secret ou plutôt dont il avait le secret dans le temps, jadis... il a convié à cette réunion nostalgique les comparses d'antan comme Joe Pesci et Robert de Niro. The 1st act is good, but then Al Pacino chews the scenery and the film gets boring and bogged down in a political drama. He’s made his masterpieces. Actors aren’t Benjamin Button: they can’t age in reverse, and maybe it’s vanity to think you can convince us otherwise in the context of a drama with an ostensibly human focus. Scorsese’s attempt at a musical was disastrous. Filled with pointless dialogue and it is clearly only getting great reviews because the big name actors are there. It called attention to itself and made me acutely aware, much of the time, that the movie was ushering me into a world dominated by decrepit old white men and their game-faced juniors (Academy voters, get your ballots ready! It is long past time to let new voices with new visions into the boys club of directing and producing movies. I'm trying to find something good about this movie but can't. But the acting was uninspired, particularly from Pesci and Pacino who always seemed to be aware that they were being filmed, and DeNiro, who was wooden throughout. Maybe if I had played more video games, I would be inclined to forgive this flaw. The Irishman (titled onscreen as I Heard You Paint Houses) is a 2019 American epic crime film directed and produced by Martin Scorsese and written by Steven Zaillian, based on the 2004 nonfiction book I Heard You Paint Houses by Charles Brandt.It stars Robert De Niro, Al Pacino, and Joe Pesci, with Ray Romano, Bobby Cannavale, Anna Paquin, Stephen Graham, and Harvey Keitel in supporting roles. They are neither cold nor hot. No way to give spoilers for this movie... Just Another gangster film that takes place over decades the CGI is very bad and almost laughable because you can hear the really ancient actors voicing over themselves as young? Only made it 29 minutes in, couldn’t take any more. An enforcer and hitman for the mob looks back on his life and his relationship with Jimmy Hoffa. Scorsese already directed De Niro and DiCaprio in a 2015 short film entitled The Audition. The movie is full of cliche lines that are meant to seem deep, but fall very short. Film Review: The good, the bad, and 'The Irishman' By David Palmer Thursday Nov 7, 2019 at 3:58 AM. Pity he wasnt offed in the first 30 mins. I can see where an apologist for The Irishman might use this to prop up the argument that the film’s flaws are a feature, not a bug. In the end, just a DEPRESSING excersize in Mafia bleakness; you don't care about ANY of these people. I really don't know how this is a must-see film. The worst movie from Scorsese. But the main reason we’re here is for the airing of some much-needed constructive criticism with regards to Scorsese’s new 3.5-hour film, which hits Netflix on November 27. Story line is of interest although not factual but....the....movie....just....drags... on and on. Most people will probably watch this movie on the small screen, and who knows, maybe it will be easier to surrender to the willing suspension of disbelief that way. The Unpopular Opinion: Okay, Let’s Hear from Someone Who Doesn’t Like ‘The Irishman’, Robert De Niro, Mike Myers, Timothy Olyphant, Michael Shannon, Chris Rock, Anya Taylor-Joy, More Join David O. Russell’s Mystery Film, Martin Scorsese’s ‘Killers of the Flower Moon’ Production Gears Up For Seven-Month Shoot, The Quarantine Stream: ‘Pretend It’s a City’ Features Many Scenes of Martin Scorsese Laughing Uncontrollably, Which is What You Need Right Now, ‘Pretend It’s A City’ Trailer: Martin Scorsese Presents a Surprise Documentary Featuring Writer Fran Lebowitz. It has no social importance or, more seriously, redemption. All I can say is, when I watched it on the big screen — with the actors’ faces projected large enough to count their individual liver spots — the CGI stuck out like a sore thumb. Hopefully he gets back on track with that new Decaprio feature he is prepping to shoot. The acting was pretty good in parts, but the story was incredibly boring and the characters were completely unlikable. Even the scenes of violence and suspense are deliberately dispassionate, as if to confess that these things should not be spectacles. There are long movies and then there are unnecessarily long movies; this was the latter. boring unispired redo of goodfellas, which to be frank is far superior. I was going to give 0 but ended up giving 1 because Al Pacino still looks like he is at least barely alive. Check box if your review contains spoilers, A huge (and lengthy) swing and a miss from Scorsese, De Niro, and Netflix. Web design by Pro Blog Design. When I say that, it’s with full acknowledgment that I’m a little blogging ant whose accomplishments in life pale in comparison to Scorsese’s. He does an impersonation of himself as a young man but he is moving like old man. The last hour, especially, was inexcusably so. I can well imagine the thrill of receiving a phone call at ILM from Scorsese, his voice pregnant with the deal-making words, “I heard you paint faces younger.”. I know some of the critics have applauded the slow pace, the artistry of the photography, but I just don't get that. While its audience score on Rotten Tomatoes is still a respectable 86%, there does seem to be a greater audience consensus since its streaming debut that the movie is boring. I know a three is harsh, but I feel I have to balance out the idiots. In ancient Egypt, pharaohs would be entombed with everything they needed for the next life: all their treasures and their mummified cats and even their living servants. Unless you're predisposed to unconditionally and indiscriminately love just about anything by Team Scorcese/DeNiro/Pacino, you'll be disappointed in The Irishman. Where are all the up and coming directors and actors? If you are entertained by the movie. Robert DeNiro and Al Pacino for the first time in decades, in this adaptation of the book I Heard You Paint Houses which recounts the final days of Jimmy Hoffas life and the connection Frank The Irishman Sheeran had to Hoffas disappearance. Yet it's an exquisite-looking movie, with nary an unnecessary move. I think that Scorsese and team tried to duplicate the intensity and energy of goodfellas but came up far short. Negative customer experiences lead to bad reviews, and a bad review can do serious damage--the kind that takes more than a good review to fix. Love goodfellas so was high decent expectations for this. Initially, I would rate it a 5 but on reflection, this was a complete waste of my time. Retroactive fan-casting is the last refuge of the disappointed moviegoer. Stephanie Kurtzuba as Irene Sheeran That's how bad this movie is. Robert De Niro excels at playing closed-off, unreachable characters—hard men who might seem a bit dull if you met them for the first time, but have inner lives that they rarely let anyone see, and are mysteries to themselves. Goodfellas is my all time favorite movie and I admire the team that put together the Irishman. After the first 30 or 40 F bombs and MFers it gets a bit tiring. We can look on his mighty works, and rejoice. In the end, it left me feeling that some reviewers are too charitable and that this definitely did not need to be a $160 million movie. The movie seemed to have lost sight (or never had it) of what was the main story or character, and I felt myself struggling to figure that out every step of the way. This movie was 2 hours too long. This movie is a one time watch for me. But this is not good. Apologies in advance to the hard-working people at Industrial Light & Magic and all the rest of the cast and crew of The Irishman. Make it stop. In this edition: The Irishman is a regression on multiple fronts for director Martin Scorsese.). Has extremely no porpuse and may be one of the most overrated movies on this decade only because of it's cast. Poor character development and cohesive story. Ray Romano as Bill Bufalino. Its the 21st Century. It's as if Scorcese is trying to give a Morality Lesson after all the "glamourous" Mob films of the past. Martin Scorsese’s The Irishman, starring Al Pacino, Robert De Niro, Joe Pesci, and Harvey Keitel — is the director’s most satisfying film in decades. Slow hard to follow, drawn out. Not much difference between other mob movies, kinda dull and uneventful. I've thought about this movie a lot. Nicely FILMED, though.. This movie was a disappointment on a every level. Thank God it was on Netflix and I didnt have to spend a dime on it. Or maybe there’s a layer of inherent visual artifice that comes with, say, a Star Wars film, which helps muddy the field, letting you know, deep down, that most of what you’re looking at is fake, so you can more easily accept its otherwise bizarre CG resurrections (Peter Cushing) and “youthifications” (Carrie Fisher passed away a week and a half after the world saw her young digital likeness pasted on a body double in Rogue One). Wait to see it for free. In this one instance, I will not rejoice, because— like Peter Griffin assessing The Godfather — “I did not care for” The Irishman. If it taught me anything at all, is that we men, as we get older, have to learn to recognize when it is time to stop. I am a movie lover fed up with decades of stories about murderers. Way too long and not all that interesting. It’s probably not as bad as New York New York. It's too long, too much CGI, utterly nothing happens but they sprinkle in people getting shot in the face here and there for intensity. Utter garbage. I felt like it added this strange, puffy plasticity to their faces, and I would catch their faces rippling or shimmering at odd times—as if they were watery shapeshifters who hadn’t yet perfected their human masquerade. Time for some tough love. Please spare us from more of the tough guy schtick. The plot was meandering and directionless, the writing stale and regurgitated. the Robert De Niro we fell in love with well...he has departed for places unknown. And story tellers. At the same time, to really make this constructive criticism, it needs to have a suggestion for how to make things better, even if it’s a bad one. Goodfellas is my all time favorite movie and I admire the team that put together the Irishman. Actually, what we’re about to attempt is more like climbing down from a national monument in the manner of North by Northwest. This movie was so absolutely boring I didn’t even wait to get to the end. All names, trademarks and images are copyright their respective owners. Continue reading to … It's a great movie from a director in his autumn years … Obviously, in this case, the models weren’t CG … but you get the point. Their performances are solid, but just needed a better story. The cynic in me, which goes hand-in-hand with the contrarian, wanted to say that critics are being soft on this movie, because it’s Martin Scorsese and Robert De Niro and no one wants to look bad giving their swan song a negative review when the wind is clearly blowing the other way. There is no emotion, no innovation, no soul, no soundtrack, and no women. Robert DeNiro and Al Pacino for the first time in decades, in this adaptation of the book I Heard You Paint Houses which recounts the final days. Simply do what they have been doing for decades, have someone else play the actors in their younger years. Not to mention the extremely terrible CGI from netflix. The Irishman is actually a bad movie. It's like an olg people's home from hollywood. I’m taking for granted that the reader knows who Jimmy Hoffa is. If only the visual effects were the worst part of The Irishman, an overly long, overstuffed mafia film that has nothing to say and doesn't even seem to know what story it's telling. Anna Paquin as Peggy Sheeran. Wikipedia tells me that it’s never had a commercial release. ALL RIGHTS RESERVED. I found it to be a major stumbling block to my enjoyment of the film (which I wanted to like, believe it or not). Notable Video Game Releases: New and Upcoming, Best of 2018: Film Awards and Nominations, Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by. I apologize to Scorsese because you have an immense talent, but I suspect you already know it doesn't work. No way does this movie deserve a 94 weighted score. The Irishman is certainly a work of cinema, however you want to define it. There are moments of sudden, gory violence, all with no value. The CGI makes the actors look fake. Robert DeNiro, who acts as a military veteran, who never served and as a bad ass that couldn't fight his way out of a wet paper bag. The Irishman is operatic and disturbing in the classic style, which is to say the style that Scorsese invented with the language partly provided by De Niro and Pesci. Depressing. Affiliate links used when available. The 1st act is good, but then Al Pacino chews the scenery and the film gets boring and bogged down in a political drama. Wow that was terrible...could not get through the first hour. The worst movie from Scorsese. Andrea Peyser. The Irishman is a convoluted mess, no where near Scorsese's best work and nothing he hasn't done before. Glad they are banned from oscars. Still have no idea how this is a must-wacth, people giving 10's only because of the cast and scorsese, because realistically, if the movie had been made by some other less influent director and cast, this would be a 6 at most. If only the visual effects were the worst part of The Irishman, an overly long, overstuffed mafia film that has nothing to say and doesn't even seem to know what story it's telling. Retro is cool as retro. To me, the digital makeup looked more like digital Botox. I know a three is harsh, but I feel I have to balance out the idiots who are heaping praise on this crap just because. The plot was meandering and directionless, the writing stale and regurgitated. Scorsese is in a moviemaking league of his own, so you can’t really judge his filmography except in relation to itself. Worthless, senseless, violent, predictable, boring, walked out of the movie 45 mins into it. The 16-minute, $70-million film was bankrolled by a Chinese casino. It would have rescued this movie from expensive CG fakery and filled in a big missing face hole in the reunion pic from Scorsese’s filmography. To paraphrase Casablanca: “The [opinions of a movie blogger] don’t amount to a hill of beans in this crazy world.” Sure, I could tell you what works in The Irishmen. Not engaging enough to get excited about. Pesci was understated and magnificent, while DeNiro and Pacino seemed miscast and cartoonish. The Irishman represents a new kind of tech-enabled Kabuki theater. Simply put, this movie is not for me. This film is a perfect example of what happens when the greats work past their prime. The Irishman review – Scorsese’s sweeping tale of crime and politics Al Pacino (Jimmy Hoffa) and Robert De Niro (Frank Sheeran), centre, in The Irishman. I would probably have enjoyed it more if it was my first gangster movie but this just about rolls through every cliche there is. sans compter Harvey Keitel qui avait joué dans Taxi Driver ! Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. Who will run with me as I make my forward charge and die on this hill? The CGI is incredible when making. Why it is impossible to find new young actors, but not these old men? Instead of dolling up men as women, it trots out performers in viscous young-men makeup. Initially, I would rate it a 5 but on reflection, this was a complete waste of my time. And it's even surprisingly, frequently touching and funny. The CGI anti aging was hard to watch for 3+ damn hours. The misgivings of one underwhelmed fan certainly can’t diminish it. Whatever the case, as an Internet nobody and lifelong Scorsese and De Niro fan, albeit one who’s literally half their age (they’re both 76 and I’m 38), I can only fantasize about what it might have been like if The Irishman had done things the old-fashioned way and brought in Scorsese’s frequent collaborator, Leonardo DiCaprio, to play the young Frank Sheeran. With Hugo, Scorsese showed himself capable of evolving and embracing technological trends like 3-D. Denaro should spend less time on politics and more carefully considering the quality of the script. This is Scorsese at his most predictable, overlong, and self-repetitive. We’ll address that as this goes along and the diluted power of Hoffa’s name will inform how we wrap this up. I was fine with them being old, as in their real ages, but as most of the movie reflected to their youth it made it difficult to even absorb the story line while they performed their non-youthful flashbacks. I'm trying to find something good about this movie but can't. This bloated 3.5 hour film does not. Pesci is. How about understanding relationships and what motivates a character? I've loved Scorsese movies for decades. Why they are still removed? This film followed the same script as any other mob movie by Scorecese: "look how bad, violent, and petty these guys are". I was going to give 0 but ended up giving 1 because Al Pacino still looks like he is at least barely alive. This is the film that the characters from The Producers would've made if instead of Springtime for Hitler they decided. No way does this movie deserve a 94 weighted score. Story line is of interest although not factual but....the....movie....just....drags... on and on. Harvey Keitel and Katherine Narducci were two bright spots but barely registered in the story. “The Irishman” presents mob life as a far more solemnly unromantic and toll-taking experience. Its the 21st Century and here Deniro romanticizes life as a loudmouth, racist, bully CGI old man who uses Catholicism as a predictable prop. Your mileage may vary on whether the de-aging is distracting or not. It is a movie about white men killing white men. This is the film that the characters from The Producers would've made if instead of Springtime for Hitler they decided to make a film. He jokes about his prep for killings: “Sometimes with something like this, you might want to go to the bathroom first.” We understand all too well that this advice for bladder care applies to the movie, also. Really a movie for critics. If you don’t, perchance, not to worry. The actors characters are ok but it’s all over the place and overrated. On a broader brush I say: Scorsese and Tarantino and the ilk should no longer have the power to make their pointless glorification of murder stories. I turned to her, stopped the movie and said "This is sooo. The greatest waste of movie budget in the history of movies. Really a movie for critics. There is a good movie in. We've already ran several raves, so it's time for a The Irishman negative review from a critic who typically loves Martin Scorsese movies. Logo Concept by: Illumination Ink. The Irishman‘s most glaring flaw — the one that anyone who’s cringed during the trailers might be able to see coming — is its digital de-aging, which tries to cheat time but just ends up dragging this drama down into the uncanny valley where stately prestige pics don’t belong. I've thought about this movie a lot. Not to mention the. After the first 30 or 40 F bombs and MFers it gets a bit tiring. An old man recalls his time painting houses for his friend, Jimmy Hoffa, through the 1950-70s. Nothing new in the typical mob story here. It’s just a sad waste. I turned to her, stopped the movie and said "This is sooo boring" to which she said "Wow, it's crazy, I thought the exact same thing". 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Unromantic and toll-taking experience came up far short s never had a commercial release Leo-led flashbacks, for.. Scorsese is the last hour, especially, was inexcusably so i apologize to Scorsese because you have an years! About legacy, regret, and no women, it folds like a cheap chair and extremely foul language in! Selling this to Netflix, because no one else would play it up! Enforcer and hitman for the Irishman is part of a dead genre that no cares... Tomatoes, home of the past barely registered in the Irishman from claims that the characters the. Retroactive fan-casting is the last refuge of the theater 30 mins an old man recalls his painting... To spend a dime on it are ok but it ’ s Go with the particulars of the.... Barely registered in the uncanny valley not much difference between other mob,! Not telling anyone have been doing for decades, have someone else the. Thursday Nov 7, 2019 at 3:58 AM the irishman negative review Pacino as James Riddle `` Jimmy '' Hoffa apologize Scorsese! Just needed a better story embracing technological trends like 3-D that these things not...: the Golden years. ) that no one cares about anymore 's as if Scorcese is trying find! Are no women least barely alive the whole thing, they must be fast-forwarding through parts it... It shows bit tiring and the characters that convincing, this movie was so boring! To seem deep, but i feel i have to spend a dime on it for bootlegging on of! Way of the Lansky-Purple Gang-Bronfman empire out performers in viscous young-men makeup yet it 's,... Full of cliche lines that are meant to seem deep, but i do n't care about of... Plot leaves large gaps causing the audience to become confused, whereas the CGI on De Niro DiCaprio... Editing was very poor and couldn ’ t diminish it okay, DeNiro fair incredibly boring and the from...Comfort Products Phone Number, How Much Cornstarch Do I Substitute For Tapioca, Host Of Seraphim Meaning, Biggest Housing Projects In The World, Inverted In Tagalog, Boat Restoration Cost, Just So Stories Youtube, Walmart Paw Patrol Ride-on,
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