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billy wilder double indemnity

Frau ohne Gewissen wurde für MacMurray der Durchbruch als dramatischer Schauspieler. McCarey beamed as his picture won award after award, and when he was named Best Director, Wilder could no longer take it. An Indian film, Jism (2003), was inspired by the film. [10] Paramount resubmitted the script to the Hays Office, but the response was identical to the one eight years earlier. In his ads, Selznick quoted various dignitaries claiming it was the finest picture they had ever seen, how it served such a noble purpose, how it elevated humanity to new levels – no high-toned platitude was too lofty to invoke. Having the two protagonists mortally wound each other was one of the key factors in gaining Hays Office approval for the script: the Production Code demanded that criminals pay, on screen, for their transgressions. "What lapel bit?" Her advertisement probably put a million dollars on its gross. When I was lucky, it coincided with the taste of the audience. Gregory Lawrence (954 Articles Published) Gregory Lawrence (aka … Stark and spare, a tangible note a foreboding guilt hangs over Wilder's dark drama as it characters' schemes tangle and threaten to fall apart. At the time, Stanwyck was the highest-paid actress in Hollywood as well as the highest-paid woman in America. Reporter des Satans | Das Mädchen Irma la Douce | Opening credits roll over the silhouette of a hat-wearing man using crutches to hobble forward. "[42], For Neff's office at Pacific All Risk, Wilder and set designer Hal Pereira conspired to create a little in-house joke, typical of Billy Wilder. Eines Tages erscheint Lola in Neffs Büro und erzählt ihm, dass Phyllis ihre leibliche Mutter umgebracht habe, um Mr. Dietrichson heiraten zu können. Lola's mother also died under suspicious circumstances when Phyllis was her nurse. ", building on the southwest corner of Hollywood Blvd. It also helped, as he freely admitted, that he drew the same salary as the two leads for fewer shooting days. Im Jahr 1954 wurde im Rahmen der fünften Staffel des Lux Video Theatres (1950–1959) der Stoff erneut für das Fernsehen verfilmt. Add director Billy Wilder to moodily light and film the hardboiled Los Angeles setting, and the once-in-a … Zeugin der Anklage | [11] Er gilt heute in der Filmkritik als Meisterwerk und als einer der standardsetzenden Filme des Film noir. Wesentlich dazu beigetragen hat Barbara Stanwyck, deren Verkörperung einer mit krimineller Energie und beträchtlichen manipulativen Fähigkeiten ausgerüsteten Verführerin das Rollenschema der Femme fatale entscheidend geprägt hat. Fünf Gräber bis Kairo | In many ways, Woody Allens quote encompasses all the main elements that make Billy Wilders Double Indemnity (Paramount Pictures, USA, 1944) a masterpiece. Wilder reshot the scene, only this time as Phyllis starts the car, the motor stalls and won't turn over. Der Versicherungsdetektiv ist zunächst felsenfest davon überzeugt, dass es sich um einen Unfall handelte, während Norton, der Chef der Gesellschaft, Selbstmord vermutet. [78], This article is about the 1944 film. If there ever were a fitting cinematic companion piece to Poe's "The Tell-Tale Heart," Billy Wilder's "Double Indemnity" would make a worthy candidate. The scene shifts to a street, where a car speeds past two workers next to a sign that reads “Los Angeles Railway Corp. Instead he led a movement within the Screen Writers Guild to create the American Author's Authority, a union that owned its members' works, negotiated better subsidiary deals, and protected against copyright infringement on behalf of its members. As work progressed, Wilder's enthusiasm about Rózsa's score only grew, but the studio's Musical Director Louis Lipstone was of a different mind; he and Wilder previously clashed over some post-production cuts he had made to the Five Graves score which created problems with the music's continuity and logic. How could we? Raft was illiterate, so Wilder had to tell him the plot. Keyes tells Neff his theory while Phyllis is hiding behind the door, concluding that Phyllis and an accomplice murdered Dietrichson for the insurance money, but he needs proof. The production team copied the interior of the house, including the spiral staircase, almost exactly on a soundstage at Paramount. Sein Werk umfasst mehr als 60 Filme, die in einem Zeitraum von übe… Phyllis drives her husband to the train station for a trip to attend a college reunion. In addition, Double Indemnity broke new cinematic ground on several fronts, one of these being the first time a Hollywood film explicitly explored the means, motives, and opportunity of committing a murder. "[26], The production was not without its lucky accidents: The company had just finished shooting the final segment of the sequence where Phyllis and Walter make their getaway after dumping their victim's body on the tracks. Director Billy Wilder manages to keep the tension as thick as syrup through the duration of the movie, despite the fact that the audience is, from the start, already aware of the murder that has taken place, as well as the main protagonist Walter Neff’s role in it and his impending doom. Der Roman Double Indemnity von James M. Cain erschien im Jahre 1935 und basierte auf einem wahren Fall, der sich 1927 ereignet hatte: Ruth Snyder überredete ihren Liebhaber Judd Gray, ihren Ehemann zu ermorden und es wie einen Unfall aussehen zu lassen, um dann eine doppelte Versicherungssumme einzustreichen. Tap to unmute. Double Indemnity often tops the list when it comes to the best noir cinema ever made. [49][50], When it came time to record the score for Double Indemnity, Lipstone made no secret that he despised what Rózsa had done, to which Wilder finally turned to him and snapped "You may be surprised to hear that I love it. [27], Fred MacMurray was accustomed to playing "happy-go-lucky good guys" in light comedies, and when Wilder first approached him about the Neff role, MacMurray said "You're making the mistake of your life!" Er wurde am 3. To help guide him in writing a screenplay, Wilder gave Chandler a copy of his own screenplay for the 1941 Hold Back the Dawn to study. Selznick was not amused and threatened to stop advertising in any of the trades if they continued to run Wilder's ads. Double Indemnity is a 1944 American psychological thriller film noir directed by Billy Wilder, co-written by Wilder and Raymond Chandler, and produced by Buddy DeSylva and Joseph Sistrom. [61], Radio host and Hearst paper columnist Louella Parsons said "Double Indemnity is the finest picture of its kind ever made, and I make that flat statement without any fear of getting indigestion later from eating my words. Widely regarded as a classic, it often is cited as having set the standard for film noir. [37], The look of the film was achieved through the work of cinematographer John F. Seitz. That building still stands, but the Newman Drug Store originally on the ground floor is no longer there. In the opening scenes, as Walter Neff stumbles off the elevator on his way to his office to record his confession, the vast two-tiered office is empty and dark. FSK 12 Jahre Bei einem letzten Besuch, den er Phyllis zu Hause abstattet, will er sie umbringen. Frau ohne Gewissen ist ein US-amerikanischer Film-Noir unter Regie von Billy Wilder, der auch gemeinsam mit Raymond Chandler das Drehbuch verfasste. Die vorliegende Arbeit zum Seminar „Schlüsselfilm 1945-1960“ beschäftigt sich mit der Stilrichtung Film noir und dabei insbesondere mit dem Film Double Indemnity (Billy Wilder 1944). According to Robert Sklar, a former chairperson of the Department of Cinema Studies at New York University Tisch School of the Arts, classic film noir is marked by major thematic elements: a plot about a crime told from the point of view of the criminal; exploration of psychosexual themes; and a visually "dark and claustrophobic framing, with key lighting from sources within the mise-en-scène casting strong shadows that both conceal and project characters' feelings". Der hatte jedoch zuvor nur leichtere Komödienrollen gespielt und war überrascht, dass Wilder ihn in einem solch untypischen und düsteren Part besetzen wollte. Wilder makes … Sistrom's and Wilder's first choice for the role of Phyllis Dietrichson was Barbara Stanwyck. Summary. The story, told primarily in flashback, ensues. Frau ohne Gewissen war bei seiner Veröffentlichung sowohl bei Kritikern als auch an den Kinokassen ein Erfolg. Double Indemnity (1944) is director Billy Wilder's classic film noir masterpiece - a cynical, witty, and sleazy thriller about adultery, corruption and murder. It is not the voice of a dead man  ... it is  ... the voice of an already doomed man. And I said "Well, I hope I'm an actress." Eins, Zwei, Drei | )[29], Wilder finally realized that the part should be played by someone who could not only be a cynic, but a nice guy as well. [5] Raymond Chandler, einer von Amerikas führenden Kriminalautoren und Schöpfer des Detektives Philip Marlowe, wurde daher als Wilders Drehbuchpartner verpflichtet und arbeitete für Frau ohne Gewissen erstmals an einem Drehbuch mit. [43][b], Wilder also decked Stanwyck out in the blonde wig "to complement her anklet ... and to make her look as sleazy as possible. Sie finden Rezensionen und Details zu einer vielseitigen Blu-ray- und DVD-Auswahl – neu und gebraucht. [68], Double Indemnity has been compared with Wilder's other acclaimed film noir: Sunset Boulevard (1950). Robinson later admitted "At my age, it was time to begin thinking of character roles, to slide into middle and old age with the same grace as that marvelous actor Lewis Stone". Sklar explains, "[T]he unusual juxtaposition of temporalities gives the spectator a premonition of what will occur/has occurred in the flashback story. At the time, Seitz was the premiere director of photography on the Paramount lot; his work extended back to the silent era. Buy Study Guide Double Indemnity Summary and Analysis of the Opening Sequence. [36] The footage and sound elements are lost, but production stills of the scene still exist. After seeing the picture half a dozen times, he was quoted as saying "It's the only picture I ever saw made from my books that had things in it I wish I had thought of. If Double Indemnity is short on any aspect which defines a good film-noir, tension is certainly not one of them. Geschlagen geben musste er sich insbesondere in drei Kategorien der Komödie Der Weg zum Glück. Der Major und das Mädchen | "[18] His tugging with Chandler did have a softer side, it seems: Over 60 years after the film's initial release, mystery writer and Chandler scholar Mark Coggins documented the fact that Chandler had agreed to appear in a cameo at 16 minutes into the film, glancing up from a magazine as Neff walks past outside Keyes' office. [10] Im Verlauf der Dreharbeiten wurde Wilder mit der blonden Perücke aber zunehmend unzufrieden. | Keyes suspects foul play on Phyllis's part because he thinks she was having an affair. Paramount executive Joseph Sistrom thought the material was perfect for Wilder, and the studio bought the rights for $15,000. Wilder made the film, in part, "to explain Chandler to himself. [77], So many imitations flooded the market, that James M. Cain believed he deserved credit and remuneration. [8] Edward G. Robinson wollte zunächst seine Rolle als Keyes ablehnen, da er hier nur die drittgrößte Rolle spielen sollte und es als einen Schritt rückwärts sah, da er zuvor meist an erster Stelle im Vorspann stand. Bei dieser Gelegenheit lernt Neff auch die Stieftochter von Phyllis, Lola Dietrichson, kennen und fährt sie anschließend in die Stadt, wo sie sich heimlich mit ihrem Freund Nino trifft. [54], Other locations around Los Angeles used in the film were an apartment building at 1825 N. Kingsley Drive in Hollywood where Walter Neff lived and the building on the southwest corner of Hollywood Blvd. Billy Wilder hatte die Idee der blonden Perücke, die Stanwyck den Film über trägt. Wilder schrieb üblicherweise seine Drehbücher gemeinsam mit Charles Brackett, doch der stieg aus dem Projekt aus, weil er es für zu „schmutzig“ hielt. Keyes brings in a witness who says the man on the train was younger than the dead man. Wilder wirkte stilbildend für die Genres Filmkomödie und -drama und schuf als Regisseur und Drehbuchautor von Komödien wie Manche mögens heiß, Eins, Zwei, Drei und Das Mädchen Irma la Douce, aber auch von dramatischen Filmen wie Das verlorene Wochenende, Frau ohne Gewissen, Sunset Boulevard oder Zeugin der Anklage Filme von zeitloser Relevanz. Neff meets Phyllis at her house and informs her that he knows about her and Nino. The house can still be seen today and is located at 6301 Quebec Drive[45] in the Beachwood Canyon neighborhood of Los Angeles. 'Double Indemnity' is a dramatic thriller made in 1944, directed by Billy Wilder and starring Fred MacMurray and Barbara Stanwyck. "[63], At the 17th Academy Awards on March 15, 1945, Double Indemnity was nominated for seven Oscars, but did not win any. Plötzlich wirft sie sich ihm in die Arme, als würde sie ihn trotz allem lieben. Der Erfolg von Frau ohne Gewissen sollte ihm einen weiteren Karriereschub bringen. [26], The character of Walter Neff was not only a heel, he was a weak and malleable heel – many Hollywood actors including Alan Ladd, James Cagney, Spencer Tracy, Gregory Peck, and Fredric March passed on it. (Double Indemnity) Drehbuch: Billy Wilder + Raymond Chandler nach dem Roman "Doppelte Abfindung" ("Double Indemnity") von James M. Cain: Regie: Billy Wilder, USA 1944: Darsteller: Fred MacMurray, Barbara Stanwyck, Edward G. Robinson, Porter Hall, Jean Heather, Tom Powers, Byron Barr, Richard Gaines, Fortunio Bonanova, John Philliber u.a. [34] He later recounted: "The story was between the two guys. Dort sitzt ein Mann namens Jackson, der das Gespräch mit Neff sucht, doch Neff wimmelt ihn ab. About halfway through, Raft interrupted him with "Let's get to the lapel bit." [58] James M. Cain recalled "there was a little trouble caused by this fat girl, Kate Smith, who carried on a propaganda asking people to stay away from the picture. Typisches Beispiel für den amerikanischen Film Noir.“, Die deutsche Synchronfassung entstand 1950 bei der Elite Film Synchron in Berlin unter Leitung von Ernst Schröder. Suicide, however, was strictly forbidden at the time by the Production Code as a way to resolve a plot, so Wilder wrote and filmed a different ending in which Neff goes to the gas chamber while Keyes watches. Neff ahnt bereits, dass Mrs. Dietrichson Pläne haben könnte, ihren Mann zu beseitigen, und sagt ihr offen, dass er dafür nicht zu gewinnen sei. Indeed, the ad averred, the words Since You Went Away had become "the four most important words uttered in motion picture history since Gone with the Wind. Es sollte der endgültige … Manche mögen’s heiß | Sein Partner Keyes zündet ihm eine Zigarette an. "[59], It was not uncommon at the time for studios to take out ads in trade journals promoting the virtues of their own films. Unerwarteterweise bricht sich Mr. Dietrichson das Bein, als Phyllis bereits eine Zugreise für ihn gebucht hat. Watch later. [71], Double Indemnity was adapted as a radio play on two broadcasts of The Screen Guild Theater, first on March 5, 1945 with Fred MacMurray and Barbara Stanwyck, then five years later on February 16, 1950 with Stanwyck and Robert Taylor. Auch für Barbara Stanwyck war es ein ungewöhnlicher Gedanke, eine Mörderin zu spielen, obwohl sie bereits zuvor einige Kriminelle gespielt hatte. "You know, when the guy flashes his lapel, you see his badge, you know he's a detective." [39] "He was ready for anything", Wilder said. Paramount executives decided to let him play the unsavory role to teach him a lesson. Das Filmbudget lag mit 980.000 US-Dollar relativ hoch, und gleich drei große Hollywood-Stars wurden für die Hauptrollen verpflichtet. Chandler was new to Hollywood, but saw it as a golden opportunity. With the camera following him, Neff lurches towards the balcony railing overlooking rows and rows of uniform corporate desks. Neff fühlt sich sicher, bis Keyes auf einmal eine neue Vermutung hat: Mord. Das verlorene Wochenende | Chandler and Wilder made considerable changes to Cain's story. [31] His trust, however, was misplaced: His contract was up for renewal at the time, and because his friend and co-star Carole Lombard had shrewdly and successfully taught him how to play hardball with the studio bosses, he was not the pliable pushover of old. Dezember 1954 in den USA ausgestrahlt wurde, agierten Laraine Day und Frank Lovejoy in den Hauptrollen. Now the two were coming to loggerheads again. For one thing, the ending was overhauled. He dares her to shoot again. He convinces Nino to instead telephone Lola. By this time, Lipstone had an arm around DeSylva, asking unctuously "I always find you the right guy for the job, Buddy, don't I? Insofern gilt Frau ohne Gewissen heute als herausragendes Exemplar des Film noir. Inspired, he ran back and ordered the crew back. Despite the noir genre not matching at first with the director of great comedies Billy Wilder (Some Like It Hot, Avanti! [48], The score to Double Indemnity was composed by Miklós Rózsa, whose work on Wilder's previous film Five Graves to Cairo had been his first real Hollywood engagement for a major studio. Initially, Wilder and Chandler had intended to retain as much of Cain's original dialogue as possible. "[40] They contrasted the bright sunny Southern California exteriors, shot on location, with dark, gloomy, rotten interiors shot on sound stages to give the audience a sense of what lurks just beneath the facade – and just who is capable of murder. Jahr | Der 75-minütige TV-Film, der am 13. And I did and I'm very grateful to him. Having been a star since Little Caesar in 1930, this role represented a step downward to the third lead. Buddy Buddy. "[62] In a 1998 review for his "Great Films" series, film critic Roger Ebert thought the romance between MacMurray and Stanwyck showed "little psychological depth", while MacMurray and Robinson showed the "genuine emotion" of a surrogate father-son relationship that represented the film's heart. Ausschnitte sind außerdem in die Film noir-Hommage Tote tragen keine Karos (1982) eingeflossen. [53], For years, it was believed the exterior of the train station in the film was the Mission Revival Style Southern Pacific Railroad Depot in Glendale, California built in 1923, but the scene was filmed at the Burbank S.P. Neff, der sein Schicksal nicht wahrhaben will, versucht die Flucht zu ergreifen, schafft es mit seiner Schussverletzung jedoch nur bis zur Tür und bricht zusammen. [2][3] In 1998, it was ranked No. It's a race against time to get away with … Er erzählt die Geschichte eines Versicherungsbetrugs, in den er selbst als Mörder verwickelt ist: Eines Tages besucht Neff das Haus von Mr. Dietrichson, damit dieser eine Autoversicherungspolice verlängert. At one point Chandler even quit, submitting a long list of grievances to Paramount as to why he could no longer work with Wilder. The crew was breaking for lunch before striking the set. "[30] But Wilder pestered him about it every single day – at home, in the studio commissary, in his dressing room, on the sidewalk – until he simply wore the actor down. American Film Institute included the film on these lists: The Writers Guild of America ranked the film's screenplay the 26th greatest ever. Ebert praised director Wilder and cinematographer Seitz. Wilder and Chandler's Double Indemnity screenplay was included in Library of America's second volume of Chandler's work, Later Novels and Other Writings (1995). "Mr. McCarey ... stumbled perceptibly," he gleefully recalled. The narrative structure in both films begins and ends in the present, but the bulk of the plot is told in flashback narrated by their protagonists. "I never dreamed it would be the best picture I ever made," he said. Okay?" Januar 2021 um 22:53 Uhr bearbeitet. [65] After the ceremony while he and his wife Judith were waiting for his limousine to arrive, he yelled so loudly that everybody could hear him: "What the hell does the Academy Award mean, for God's sake? Carol Burnett parodied the film as "Double Calamity" on her TV show. Bei einem zweiten Treffen – ihr Mann ist wieder nicht da – fragt sie ihn, ob sie eine Unfallversicherung für ihren Mann abschließen könne, ohne dass dieser davon erführe. Both Postman and Double Indemnity were remade: Double Indemnity as a television movie in 1973 starring Richard Crenna (who also starred in Body Heat), Lee J. Cobb, and Samantha Eggar;[75] and is included on a bonus disc in the American DVD release of the original film. [6] In that crime, Ruth Snyder persuaded her boyfriend, Judd Gray, to kill her husband Albert after having him take out a big insurance policy – with a double-indemnity clause. The front page photo of Snyder's execution in the electric chair at Sing Sing, captured by reporter Tom Howard using a hidden camera attached to his right ankle, has been called the most famous newsphoto of the 1920s.[8]. Frau ohne Gewissen ist ein US-amerikanischer Film-Noir unter Regie von Billy Wilder, der auch gemeinsam mit Raymond Chandler das Drehbuch verfasste. Sabrina | [72] It was adapted to the October 15, 1948 broadcast of the Ford Theatre with Burt Lancaster and Joan Bennett[73] and the October 30, 1950 broadcast of Lux Radio Theater with MacMurray and Stanwyck.[74]. Billy Wilder, Raymond Chandler, Jeffrey Meyers: Diese Seite wurde zuletzt am 9. The boss's only criticism: There was not enough of it. Although he had worked on the treatment, Charles Brackett decided it was too sordid and bowed out of the project, leaving Wilder to find another collaborator. In 1977, Leslie Halliwell gave it a 4-star (top) rating, and wrote: "Brilliantly filmed and incisively written, perfectly capturing the decayed Los Angeles atmosphere of a Chandler novel, but using a simpler story and more substantial characters. [5], The film's critical reputation has only grown over the years. Extrablatt | [16] Chandler also did a lot of fieldwork while working on the script and took large volumes of notes. And Mr. Wilder – and rightly so – looked at me and he said "Well, are you a mouse or an actress?" He guesses she is planning for Nino to kill him, but tells her that he intends to kill her and put the blame on Nino. Wilder said: "He was in Alcoholics Anonymous, and I think he had a tough time with me – I drove him back into drinking. Cain had made a name for himself the year before with The Postman Always Rings Twice, a story of murder and passion between a migrant worker and the unhappy wife of a café owner. pp. Freiwillige Selbstkontrolle der Filmwirtschaft, "Double Indemnity" bei der Internet Movie Database, Billy Wilder on Barbara Stanwyck’s ‘Double Indemnity’ wig, her wonderful brain, casting Fred MacMurray, "Frau ohne Gewissen" bei der Deutschen Synchronkartei, https://de.wikipedia.org/w/index.php?title=Frau_ohne_Gewissen&oldid=207443562, „Creative Commons Attribution/Share Alike“. The trade paper Variety wrote that the film "sets a new standard for screen treatment in its category". Das Privatleben des Sherlock Holmes | [64], Wilder went to the awards ceremony expecting to win even though the studio had been backing its other big hit of the year, Leo McCarey's Going My Way, and studio employees were expected to vote for the studio favorite. Neff sees this as a way to get rid of Phyllis before she attempts to murder Lola. Doch auch sie hat einen Plan: Sie will zuerst Neff und dann ihre Stieftochter töten, um so Alleinerbin ihres toten Ehemanns zu werden. In 1945, Producers Releasing Corporation, one of the B movie studios of Hollywood's Poverty Row, filmed a movie titled Single Indemnity starring Ann Savage and Hugh Beaumont. Double Indemnity is one of the films parodied in the 1993 film Fatal Instinct; the hero's wife conspires to have him shot on a moving train and fall into a lake so that she can collect on his insurance, which has a "triple indemnity" rider. She tries several more times, but the car won't start and the two look at each other in growing panic. [61], Howard Barnes at the New York Herald Tribune was much more enthusiastic, calling Double Indemnity "one of the most vital and arresting films of the year", and praising Wilder's "magnificent direction and a whale of a script". Then a letter went from Joseph Breen at the Hays Office, and the studios withdrew their bids at once. She does not, and he takes the gun. When McCarey made his way to the stage to accept the award for best picture, Wilder, sitting on the aisle, stuck out his foot and tripped him. [24] It took skillful performers to bring nuance to these treacherous characters, and casting the roles of Walter Neff and Phyllis Dietrichson was a challenge for Wilder. Das Appartement | "[52], The score was nominated for an Academy Award, and the success brought Rózsa offers to do as many films as he had time for. It is generally classed as a 'film noir', and indeed many aspects of it belong to that school but it holds it own as a classic movie in its own right. Playing a serious role required acting, he said "and I can't do it. He was under the table drunk at Lucy's," a nearby watering hole for Paramount employees. Die schwierige Aufgabe für Wilder war es, die Handlung so umzuschreiben, dass sie den Zensurregeln des Hays Codes entsprach, aber dennoch überzeugend und spannend blieb. David O. Selznick, no stranger to self-aggrandizement, frequently sought to put a high-culture gloss on his pictures with "trade-book" ads. [33], Edward G. Robinson was also reluctant to sign on for the role of Barton Keyes, but not for the same reasons as MacMurray and Stanwyck. Besides Double Indemnity and Detour, voice-over is a key aspect of Mildred Pierce, Gilda, The Lady from Shanghai, and Out of the Past  ... as well as many others. What is the secret to its brilliance? [21] Offended, Wilder responded by saying: "We didn't invite him? Wilder had the idea of using a restless string tremolo (as in the opening to Franz Schubert's Unfinished Symphony) to reflect the conspiratorial activities of Walter and Phyllis against her husband which Rózsa felt was a good one (and the symphony is actually used with a very melodramatic effect in the scene with Lola and Walter in the hill above Hollywood Bowl, 1:23–1:26). Im Jahr 1973 wurde Cains Roman ein zweites Mal von Regisseur Jack Smight für das Fernsehen verfilmt. "[6], Cain was very pleased with the way his book turned out on the screen. Everything about this film is a sizzling masterpiece of tension, suspense, and seduction as Neff finds himself falling for all of Dietrichson’s charm and evil. Taught, but the response was identical to the one Paramount had mind. 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Seitz Fähigkeit engagiert worden, Dialogpassagen für hartgesottene Charaktere zu liefern plotline of a.... Mit dieser offensichtlich falsch wirkenden Perücke wollte er die Falschheit von Phyllis stands on the ground floor is no exists! Made pictures I would have liked to see er die Falschheit von Phyllis ' Charakter in! Advertisement probably put a million dollars on its gross 55 ], the pair did not get along during four. Neff sich zunächst ein Alibi und versteckt sich dann im Auto von Phyllis anything '', Wilder.... Neff schleppt sich in sein Büro, um dort ein Geständnis mit einem aufzuzeichnen... ( Double Indemnity ; Billy Wilder ; Witness for the Prosecution ; sabrina ; stalag 17 ; the Seven Itch. The depth of the film on these lists: the corporate headquarters Paramount... And Wilder made considerable changes to Cain 's story jede Frau zu “. 15! Für eine Änderung der Haartracht and an ambulance he tries to convince to... War bei seiner Veröffentlichung sowohl bei Kritikern als auch an den Kinokassen Erfolg. Neu und gebraucht was unaware of the film as `` Double Calamity on! Wirkenden Perücke wollte er die Falschheit von Phyllis do they speed away from the crime scene volume also includes aforementioned!... stumbled perceptibly, '' and shoots twice, killing her Gewissen heute als herausragendes Exemplar des noir. Neff tells him he is too weak and collapses approaching George Raft when it comes to the Paramount... Suggested his music was more appropriate to the best Picture-winning the Lost Weekend, about an writer. Ihn aber nicht tödlich for writing `` Carnegie Hall music '' which had no place in a.! More times, but the Newman Drug Store originally on the ground floor is no other footage of Chandler anywhere! A snippet from a home movie, there is no longer there gleichzeitig ist Nino auch der Hauptverdächtige in usa! Das Gespräch mit Neff sucht, doch Neff wimmelt ihn ab got into his own to. Was regarded around Hollywood as well as the would-be lovers plot the unsuspecting husband 's,. Neff schleppt sich in sein Büro, um dort ein Geständnis mit einem Diktierphonographen aufzuzeichnen bringen. Before she attempts to murder Lola Gedanke, eine Mörderin zu spielen obwohl! Suspicious circumstances when Phyllis was her nurse a snippet from a home movie, there no... Nino and advises him not to enter the house, including the spiral staircase, almost exactly on soundstage! Spät für eine Änderung der Haartracht erneut für das Fernsehen verfilmt nahezu jede Frau “... 'S works titled Three of a dead man mit Lola, tells Neff she is convinced her... He went to the train was younger than the dead man the Hollywood Hills, looked. Mörderin zu spielen, obwohl sie bereits zuvor einige Kriminelle gespielt hatte Schandtaten bereite Femme fatale sowie ein Mordkomplizen! Phyllis zu Hause und Neff erklärt sich bereit, ihr bei dem Mord zu.... Said, annoyed by such stupidity made the film 's plot were rampant 's only criticism: was! 1992 wurde Frau ohne Gewissen ist ein US-amerikanischer Film-Noir unter Regie von Billy Wilder ; Witness for role! Bids at once Freund Barton Keyes zu sehen ever made ) die erst dritte Regiearbeit in Hollywood '' by. Says, `` Goodbye, baby, '' [ 35 ] despite its $ 150,000 to. ; Versatile film and Television star sucht, doch Neff wimmelt ihn ab dead at 83 Versatile... 'S story auch öfter billy wilder double indemnity Lola, dabei erzählt sie ihm, dass sich. Und sie legen die Leiche von Mr. Dietrichson auf die hintere Plattform because its... Dem Projekt auszusteigen win any praised by many critics when first released, Double Indemnity Samantha. Nur leichtere Komödienrollen gespielt und war überrascht, dass die Person im Zug jünger als! Not one of the audience several more times, but Keyes scoffs at the time, was! Into billy wilder double indemnity film as `` Double Calamity '' on her TV show a suspicious claims manager ( Edward G. )! Besetzen wollte Ladd oder George Raft set was ready for filming, Wilder hired couple... Allem lieben MacMurray made a great heel and his performance billy wilder double indemnity new breadths of his acting talent lassen... To move forward anyway einen anderen Ausgang der Handlung, der auch gemeinsam mit Raymond from. And the studio volumes of notes Wilder mit der blonden Perücke, die als besonders erhaltenswert angesehen.! Boyfriend, the character of Barton Keyes mit der blonden Perücke, Stanwyck... Some box-office success Tote schlafen fest im Jahr 1946 verfilmt ) unter Beweis gestellt it! Best director, Wilder responded by saying: `` the story, primarily. Leichtere Komödienrollen gespielt und war überrascht, dass es sich bei der Kopie tatsächlich um seine Unfallversicherung.. Den Ernst der Lage, außerdem konfrontiert er sie mit den Anschuldigungen ihrer Stieftochter just made I... Zu einer vielseitigen Blu-ray- und DVD-Auswahl – neu und gebraucht einen anderen Ausgang der,! Gezeigt wurde, agierten Laraine Day und Frank Lovejoy in den usa ausgestrahlt wurde, Laraine! Summoned Rózsa to his office and reprimanded him for writing `` Carnegie Hall music '' which had no in! Gleich drei große Hollywood-Stars wurden für die deutsche Synchronfassung wurden einige Rollennamen geändert `` I never dreamed it be. Role represented a step downward to the best Picture-winning the Lost Weekend about... Roman ein zweites Mal von Regisseur Jack Smight für das Fernsehen verfilmt was,. Work with Wilder 's other acclaimed film noir Canyon home in the film was achieved through the work cinematographer... Film Institute included the film `` sets a new standard for film noir: Sunset billy wilder double indemnity ( 1950 ) zum! Could no longer take it 1950, then suggested Raymond Chandler. since you went billy wilder double indemnity was some. Seitz also blew aluminum particles into the air so that, as he freely admitted, that considered... Then do they speed away from the critics were largely positive, the... Together through Sunset Boulevard in 1950, then suggested Raymond Chandler das Drehbuch verfasste stumbled... Kinokassen ein Erfolg commit Double suicide motor stalls and wo n't turn over beide, zu! She hugs him, Neff waits for Nino and advises him not to enter the house, including the staircase... Died under suspicious circumstances when Phyllis was her nurse wollte er die Falschheit von Phyllis ' Charakter auch in Äußeren. Indemnity is short on any billy wilder double indemnity which defines a good Film-Noir, tension is certainly not one his... Ihrem Äußeren verdeutlichen würde sie ihn trotz allem lieben Arme, als Phyllis Dietrichson was unaware of the of... Get along during their four months together also died under suspicious circumstances when Phyllis was her nurse wurden! Music was more appropriate to the Hays office, but the response was identical to the train younger. Konnte jedoch nicht an den großen Erfolg von Billy Wilders original anknüpfen Jahre. Rights for $ 15,000 zu Hause abstattet, will er sie umbringen and when he was a.... That her stepmother Phyllis is behind her father 's death large volumes of notes this was his vision the... Sensational mood der näheren Umstände beauftragt Chandler also did a lot of fieldwork while working on screen. Picture won award after award, and when he was under the table at... Gibt sich anschließend als Dietrichson aus, steigt in den usa ausgestrahlt wurde agierten. Characters and the studios withdrew their bids at once the quintessential movie of its iniquitous and. Rows of uniform corporate desks of fieldwork while working on the Paramount lot ; work... His dictaphone, returning to the Hays office, and the two leads fewer! Englischsprachigen Raum die beim Unfalltod doppelt ausgezahlte Versicherungssumme before striking the set was ready for ''...

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