hip hop america summary
Because It gave e a better understanding of something I thought really knew everything there was to know about hip hop In America. He doesn't mention a whole lot of others' opinions/analysis beside his own, and so much of what he mentions is based in memories and traveling in certain social circles. Credit goes to this particular body of text for delivering me toward a path of hip hop literature and hip hop related scholarship. George continually focuses on hip hop’s many contradictions. these visionaries too what they had: their sense of rhythm, their voice, their beat record collects, and formed a whole new genre that would change music. Nelson George tells stories from the past and how it affected african american culture. Hip hop culture contains four essential elements: DJing, MCing, graffiti art and b-boying. Serious hip hop person might find it more enjoyable. A brief summary on the history of rap and hip-hop. Hip-hop suffered at least as severely as or worse than other genres, with sales tumbling throughout the decade. The book is not a consumer guide, nor is it exactly a history, but it will enlighten those trying to make sense of not just hip hop … Martin Luther King Jr. once said, “We are not makers of history. 9500 Liberty (2009) Summary: 9500 LIBERTY documents the first and likely only 8 weeks in U.S. history where an "Arizona style" immigration law was actually implemented. George follows the evolution of hip hop in america from the street corners of brooklyn and the bronx, through the founding of death row records. In one of the book’s most intriguing chapters, the author uses a dispute he once had with the Fat Boys’ Caucasian manager as a springboard to discussing the contrary notion that visionary white record executives did more to nurture rap in its infancy than the black music establishment, who were just as confused by it as suburban parents were when they started hearing it come from their kids’ bedrooms. Ay lollipops to be Just African Americans and rap music. George continually focuses on hip hop’s technologies; how professional basketball was influenced by hip hop styles; how how hip hop used and continues to use its art to express black frustration and ambition to blacks while, at the same time, referring that frustration and ambition to Chapter 3 and chapter 16 “dad Joint and beyond” really caught my eye.Chapter 3 ‘gangsters-real and unreal” summarized the image of the “hood” and crime filled ‘hoods”. George does devote a few pages to the so-called New Jack Swing that begat the latter so the dividing line is paper thin. While I think the author chose to tackle too many topics - making the book feel like it skips around a bit - I enjoyed the information I learned nonetheless. American Hip-Hop VS. Japanese Hip-Hop Brianna Stanley Alexis Lopez Ernesto Vilda Karlene Gabriele October 11, 2012 ENC1101 Pictures and Videos What is American and Japanese Hip-Hop? Not to mention incorrect anecdotes and even the wrong spelling of an artist's name. It's interesting to read all this in one relatively short book - nothing is in depth, but it's all solidly discussed. like the Puff Daddy phase, the Teddy Riley phase, and where the term New Jack Swing came from. Didn't focus enough on the history of rap. i believe that hip hop is a brilliant, post-dada, inner-city collage of the available; meaning: these doods made a sound out of scratched records and vocal beatboxes. An informative, though often frustrating, survey of the history of one of today's most popular musical forms. george has a real ease of style, super conversation & obviously very passionate about the subject. I found myself skimming a lot because I felt like I could still get his message while skimming--I usually don't feel that way with nonfiction or memoirs. Summaries. Rap music is undeniably one of the most popular genres in America today. If you have any interest in hip hop, or culture in america this book is a must read. This links not only to the cultural aspects but also to the economic, political and social changes which started in the late 1960s… Simultaneously, though, it solidified its standing as the dominant influence on global youth culture. It’s an examination of hip-hop as an ongoing sociological phenomenon. It tells how in the ass hip hop wasn’t looked at as to be something that would get blacks rich or even a profit but now any businesses that have to do with hip hop brings in money. i respect the genre, the genre of the marginalized. A solid book from a writer who was there from the beginning - George first wrote about hip-hop when covering a Kool Herk park concert in 1982. Winner of the American Book Award. It's interesting to r. Yeah, I'm almost 20 years late, but most of the hip hop I've truly loved came out before the 1998 release date of this overview of the genre. A solid overview, but it dates itself pretty quickly. The action stops in the late nineties so the likes of Missy Elliott and Eminem are mentioned only in a bolted-on concluding chapter (excellent) that also provides Mike Skinner with a name check. ), A great look at the historically significant hip hop movement that simultaneously shaped the youth culture. Hip Hop America was an amazing book, it had insight from the past and how it affects us today and in the future. He argues that hip-hop blurred "cultural and demographic lines so permanently that it laid the foundation" for the transformation he calls "tanning," a process that would "alter the landscape of America—racially, socially, politically, and especially economically." Good mix of the anecdotal and the scholarly. Morgan also claims that most of the music in the hiphop industry influences people. these visionaries too what they had: their sense of rhythm, their voice, their beat record collects, and formed a whole new genre that would change music. Based on data reported by Christopher John Farley in his " Hip-Hop Nation " essay for Time Magazine, hip-hop sold 81 million units that year, nine million more than country music. The book came out just a couple years before the record industry tanked, thus making parts of it seem a relic of the dim and distant past. Master P. Opened his own business, No Limit Records, and took control and ran with it. George covers hip hop history, but he also focuses on different elements - the dj, the graffiti, the breakdancing, the fashions, the videos, the misogyny, the politics, the pride, the social factors, etc. The action stops in the late nineties so the likes of Missy Elliott and Eminem are mentioned only in a bolted-on concluding chapter (excellent) that also provides Mike Skinner with a name check. . The dismissiveness of female rappers, UK rap (especially trip hop, and completely missing Dre's expanded role in the music scene that was to come. George manages to cover the scope of hip-hop’s influence with scholarly intelligence, a conversational tone and refreshing objectivity. Do wish I would've realized this was published in 1998, but in some ways it makes the author's perspective even more interesting. You don't need a huge body of knowledge to get something out of this text and it avoids being overly academic. Let a Professional Writer Help You, © New York Essays 2021. African Americans in California created locking, roboting, boogaloo, and popping—collectively referred to as … Retrieved January 9, 2021, from https://newyorkessays.com/essay-hip-hop-america-2414/, Save Time On Research and Writing. Writer Nelson George was born in rap’s cradle of civilization — Brooklyn, N.Y. — and came of age as a journalist just as the first emcees, DJs, breakers and graffiti artists began crawling out of the primordial soup — in this case, the parks, rec centers and block parties across the five boroughs circa the mid-1970s. George compares Master P, an ex street hustler, now multi-millionaire to jerker T. Washington (creator of the Tuskegee Institute). George d. A great short introduction to the topic by way of the author's effortlessly charming and informative prose. like the Puff Daddy phase, the Teddy Riley phase, and where the term New Jack Swing came from. All the strife and competition is put in context with the greater African American culture revolution in America. I found myself skimming a lot because I felt like I could still get his message while skimming--I usually don't feel that way with nonfiction or memo, Nelson George is a good writer, but this book just didn't do it for me. Some believe the Recording Academy is finally catching up to public opinion. From Executive Producers Ahmir "Questlove" Thompson and Tarik "Black Thought" Trotter, each episode of this new documentary series focuses on a groundbreaking song pivotal to the evolution of American music and culture. But also the art, fashion, and generation summary on the cover is far from.... 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